Monday, November 2, 2009
(From the files of the Museo del Barrio in New York City, courtesy of intern extraordinaire Carolyn Chin Choy! Wow is all I can say. . .)
I am blown away by the resurgence of the past. . . because Guillermo Gómez-Peña has been there since 1992, my 500th year anniversary of being a cyborg in love (with Roberto Sifuentes, of course). . .
I remember this Saturday afternoon quite distinctly. I met the Village Voice film critic C. Carr at the exhibit. We spoke of, oh, I don't know what. . . the Anthology Film Archives? Paris Is Burning? Mexican performance art?
I love how I fall into performative trances with Guillermo. I love that this one was documented, lost and found (like I am found and lost again). Muy poético, un círculo à la Mircea Eliade, por no decir Richard Brautigan. I love how Carolyn (who was my Spanish student at Fordham, Lincoln Center campus) found this and found me on Facebook!
I love it. I love it. I. . . siento. (¡Viva la Pocha Nostra!)