Showing posts with label drag queen. Show all posts
Showing posts with label drag queen. Show all posts

Thursday, August 20, 2020

Translocas: The Politics of Puerto Rican Drag and Trans Performance

 

Translocas


Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence that queer individuals in Puerto Rico and the U.S. are subjected to. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement; and at times posit a relationship between audiences and performers that has a ritual-like, communal dimension. La Fountain-Stokes also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. He also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.

For more information and to order, go here.

Forthcoming, University of Michigan Press (2021)

Lawrence La Fountain-Stokes is Professor of American Culture, Romance Languages and Literatures, and Women's Studies, University of Michigan.

Miss Continental Pageant and The Baton Show Lounge Shine in The Queens


I highly recommend Mark Saxenmeyer's new film The Queens (2020), not to be confused with Adrienne Gruben's film of the same name (2019). Saxenmeyer's documentary focuses on the Miss Continental beauty pageant (particularly the 2011 contest) and the history of Chicago’s iconic female illusion show lounge, The Baton (now in its 50th year). Several Puerto Rican performers are featured, including Lady Catiria, Naysha Lopez, and The Queen Bee (formerly known as Queen Bee Ho), who appeared in the documentary Mala Mala. The "bonus features" include a short video on "The NEW Baton Show Lounge" in which Jim Flint (owner of The Baton, creator of the pageant, and drag persona Felicia) explains the evolution in his thought and how the contest now embraces all transgender women, including ones who have undergone gender confirmation surgery.

For an interview with the film director, listen to the Feast of Fun podcast FOF #2888 – The Queens Battle for Miss Continental with Fausto Fernós and Marc Felion.


#translocas #PuertoRico #drag #LGBTQ

Sunday, April 12, 2015

Cuando los hombres se maquillan: Recordando a Alex Soto

El distinguido y reconocido transformista puertorriqueño Alex Soto falleció el jueves 9 de abril de 2015 a la edad de 49 años debido a un fallo cardíaco. Se encontraba en Springfield, Massachusetts (EE. UU.) recibiendo tratamiento médico y rehabilitación por su condición de diabetes y las complicaciones de salud que acarreaba. Nos solidarizamos con su familia y much@s admirador@s en este momento de gran tristeza. Conmovedoras expresiones de pésame han sido emitidas en la prensa por Samantha Love y en Facebook por Barbra Herr, Yoryie Pas Iempre y el bar Zal Zi Puedes, entre otr@s. Tuve la oportunidad de ver a Alex Soto en La señorita Margarita (obra del dramaturgo brasileño Roberto Athayde) en el Centro de Bellas Artes de Santurce y en la obra Vidas de herejes de Héctor Méndez en el Festival de Teatro del Tercer Amor en el Teatro Coribantes en 2007, la cual reseñé en Claridad.

ALEX SOTO, TRANSFORMISTA PUERTORRIQUEÑO


Aquí compartimos un video producido por El Nuevo Día sobre el tema del transformismo en Puerto Rico:

CUANDO LOS HOMBRES SE MAQUILLAN: EL NUEVO DÍA


Friday, September 23, 2011

Run Karis Run - Cazwell, "Tonight" (2010)



Lola von Miramar is a little obsessed with Cazwell's 2010 video "Tonight," featuring Karis in a Run Lola Run role. Here's the fantastic video:



First of all, it took Lola like forever to realize that Karis is a boy! A Mexican-born one who performs in drag in Mexican Lucha Libre Burlesque Reviews for Cinco de Mayo, that is! OMG. And then, of course, you have Cazwell sampling Shannon's 1984 song "Give Me Tonight"!



(Many of you might be more familiar with Shannon's "Let the Music Play", a classic of Latin freestyle--see video here.)



So by now we have a girl who is actually a Mexican boy making out with Cazwell in a scene of grand domesticity and then running madly through New York City after they have this horrible fight, and Cazwell tells us "I'm gonna write you a love song", and that "you're gonna fall in love with me," all with his white boy banjee realness, meanwhile Karis keeps running (conjuring images of homeless, runaway trans youth), Shannon's song keeps playing, the camera keeps going crazy, the editing has us looking everywhere in its Run, Karis, Run sequences, running through the space of relationships and emotions, through masculinity and femininity, through musical styles and genres, historical periods and influences, and through the upside-down cityscape of construction scaffolding, train platforms (Grand Central Station) and other sites. The juxtaposition of Latin freestyle--which came about as an electronic dance music alternative to 70s disco--to Cazwell's mellow pop rap draws us in, the frenzy of the imagery is reproduced in the music and then exploded with the rapper's all-out jump into more straighforward hip hop rhyming: Cazwell as a queer homothug Massachusetts-born channeling of Detroit's own Eminem. Puerto Rican freestyle meets queer rap (also known as homo hop) in NY. All of this graced with the surreal presence of trans celebrity extraordinaire Amanda Lepore, who suddenly appears in the video as if a Playboy bunny stepping out of a cake. Cazwell's rap shifts the romantic tone of the song to a frustrated account of failed exchanges. But Shannon's backup chorus lyrics always overlay, rescuing the possibility of love. THIS VIDEO'S JUST TOO MUCH! I LOVE IT! Hope you like it too.

Tuesday, June 21, 2011

Lola von Miramar - To Cuba With Love



The fabulous Lola von Miramar performs Cuban-inspired Puerto Rican classics with a gay twist at The Phoenix in New York City on June 15th, 2011 as part of ¡Live from Cuba!: Roxy la Rusa and Friends (performance and book-signing). Includes readings of poems and stories by Lola Rodríguez de Tió, Manuel Ramos Otero, and Lawrence La Fountain-Stokes ("De un pajaro las dos alas"). Bilingual (English/Spanish), with subtitles (captions and some translations).

Performance was curated by Charlie Vázquez. Video by Arthur Aviles. Captions by Larry La Fountain (Lawrence La Fountain-Stokes).